Kim Novak-An actress of striking beauty
Kim Novak
Kim Novak

Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of Joseph Novak, a former teacher turned transit clerk and his wife, Blanche Kral Novak, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn’t like being told what to do and when to do it. Her first job, while in high school, was modelling teen fashions for a local department store. Kim, an avid painter, won a scholarship to the Art Institute of Chicago, but ended up going to Wright Junior College instead. While on a break from school, Kim and two of her classmates decided to go to Los Angeles and stand in line to be an extra in a movie called The French Line (1954). An agent took notice of Kim’s striking beauty arranged for a screen test with Columbia Pictures, and Kim was signed to a contract. After taking some acting lessons, Kim made her film debut in the detective drama Pushover (1954) with Fred MacMurray, followed by the comedy Phffft (1954) with Jack Lemmon and Judy Holliday. These two films set the tone for her career, and she had so much poise that most people had no idea she was only 21. As a result, the studio continued to pair Kim with fatherly older actors. Kim received a Golden Globe nomination for “Most Promising Newcomer” in 1955, and had big parts in three films released that year, first appearing as “Kay Greylek” in 5 Against the House (1955). Her next role was in the controversial Otto Preminger film The Man with the Golden Arm (1955), which was a big hit. Then came Picnic (1955), Kim’s breakthrough film. Kim did a superb job of acting in the film as did her costars, and now fans were eager to see more of this bright and beautiful new star. In 1957, Kim played “Linda English” in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did well at the box-office, but was condemned by the critics. Kim really didn’t seem that interested in the role. She even said she couldn’t stand people such as her character. In 1958, Kim appeared in the Alfred Hitchcock film Vertigo (1958), which, though poorly received at the time of its release, is now considered a classic. The film was one in which a retired detective, played by James Stewart, follows a suicidal blonde half his age (Kim), only to find out Kim was only masquerading as that person and is actually a brunette shop girl who duped him as part of an elaborate scheme. Kim’s other film that year, the supernatural comedy Bell Book and Candle (1958), was a modest success, but her follow-up, Middle of the Night (1959), was not in spite of drawing good reviews.

Unfortunately, the hype that Columbia generated for Kim never materialised, and her career began to fade in the early 1960s as the studio system came to an end. She was being overpowered by the rise of new stars or stars that were remodelling their status within the film community. Kim said she didn’t have it in herself to campaign for good roles like other actors did, so she took the best of what she was offered. She starred in the ensemble romantic drama Strangers When We Meet (1960), which moderately successful. With a few more nondescript films between 1960 and 1964, she landed the role of “Mildred Rogers” in the remake of Of Human Bondage (1964) opposite Laurence Harvey. The film debuted to mostly negative reviews and was not a success. Later that same year, she co-starred in the Billy Wilder sex satire Kiss Me, Stupid (1964) with Dean Martin, but the film drew intensely hostile reviews and condemned by many civic groups, causing its studio to distance itself from the film. In 1965, Kim played the title role in the comedy The Amorous Adventures of Moll Flanders (1965), and married her co-star, Richard Johnson. The marriage only lasted 13 months, but they remained friends. Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). The film only had a limited release and was a resounding flop. Though still young, Kim said she basically didn’t see herself as having a career after that. Following The Great Bank Robbery (1969), Kim took another four-year hiatus until 1973, when she was seen in a television film called The Third Girl from the Left (1973), a romantic drama, and appeared in a segment of the British horror anthology film Tales That Witness Madness (1973). Kim’s next appearances on the screen were a leading role in the television film Satan’s Triangle (1975) and a cameo in the Charles Bronson western The White Buffalo (1977). Kim ended the 1970s by appearing in Just a Gigolo (1978) with David Bowie. The film was a critical and commercial failure.

Opening the 1980s, Kim did gain some attention for the mystery/thriller The Mirror Crack’d (1980), but it did nothing for her career. For the rest of the decade, Kim was out of movies and only had a few television gigs. In 1983, Kim appeared in the ensemble TV movie, Malibu (1983). She had a cameo role in the pilot episode of the short-lived Alfred Hitchcock Presents (1985) redux in 1985. From 1986 to 1987, Kim played the mysterious “Kit Marlowe” in 19 episodes of the TV series Falcon Crest (1981). In 1990, Kim starred in The Children (1990), and gave a great performance in a leading role opposite Ben Kingsley. However, the film had a very limited release. Kim’s last film to date was 1991’s Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect, and making it was an especially unhappy experience for Kim, who clashed with director Mike Figgis over how to play her character. Kim hasn’t acted since then, and admittedly never reached her potential. Although she has regrets about her career, she has ruled out any plans for a comeback. Kim says she just isn’t cut out for a Hollywood life.

Fortunately, Kim’s personal life has been the contrary to her career. Since 1976, Kim has been happily married to Robert Malloy (born 1940), a veterinarian who shares her passion for animals and nature. Kim and her husband live on a ranch in Oregon where they raise llamas and horses, and frequently go canoeing. Kim is also an accomplished artist who expresses herself in oil paintings and sculptures.
On July 24, 2000, she watched her memento-filled house in Eagle Point, Oregon, go up in flames. A deputy fire marshal said that the blaze was probably the result of a tree that fell across an electrical power line. Included in the loss were scripts to some of her movies as well as her computer, which contained her long-gestating autobiography. However, spared were her menagerie of animals, including horses and llamas, as well as the star’s husband of 24 years, veterinarian Bob Malloy. She later said that the fire was a sign that she shouldn’t be writing an autobiography.
For a scene in Picnic (1955) in which she had to cry, she asked director Joshua Logan to pinch her black and blue off screen, telling him, “I can only cry when I’m hurt.”.
As a starlet with Columbia Pictures, she resisted pressure to change her name to Kit Marlowe. Years later, the name was used for the character she played on the television series Falcon Crest (1981). (She did agree to change her first name from Marilyn to Kim, as the public associated her given name with Marilyn Monroe).
In Popular (1999), the main girl’s bathroom in the high school is called “The Novak” which holds all the pictures of the homecoming queens. The name is inspired by when movie stars would donate money to schools (often an alma mater). The writers found out that Kim Novak donated money to a school in the Santa Monica area (where the school/show is set), so they named this room after her.
Is portrayed by Terri Lynn in Rita Hayworth: The Love Goddess (1983)
She arrived in Hollywood as The Lavendar Girl. When she became a star at Columbia Pictures, the studio had her blonde hair tinted with lavender highlights.
In Italy, most of her films were dubbed by Rosetta Calavetta. At the beginning of her career, she was also dubbed by Dhia Cristiani. Lidia Simoneschi and Rita Savagnone also lent their voice to Novak at some point, in The Man with the Golden Arm (1955) and Kiss Me, Stupid (1964) respectively.
Was the original choice to play Marion Wormer in Animal House (1978).
Visited Sammy Davis Jr. in hospital shortly before his death.
Ex-stepmother of Sorel Johnson.
1953 Deb Star.
Daughter of Joseph A. Novak and Blanche Kral. Her sister, Arlene Malborg, is a fashion designer in Chicago.
Despite being divorced from him, she is still friends with Richard Johnson, to whom she was married for only one year.
Met her husband, Dr. Robert Malloy, in 1974 when he came to treat her sick horse. They married two years later in an outdoor ceremony at their home near the Big Sur in California. She has two stepchildren by him.
Was seriously injured in a horse-riding accident in 2006 and broke her ribs, punctured a lung and had nerve damage. She made a full recovery within a year.
In an interview with Stephen Rebello in the July 2005 issue of Movieline’s Hollywood Life, Novak admitted that she had been “unprofessional” in her conduct with director Mike Figgis on how to portray her character in the film Liebestraum (1991).
A Hungarian music band was named after her.
Became a step-grandmother in February 2010.
(1973-1974) Was in a relationship with Michael Brandon.
When she was a child, she had a scholarship to the Art Institute of Chicago.
(October 19, 2010) Diagnosed with breast cancer and undergoing cancer treatment.
Was engaged to Richard Quine but they did not marry.
(March 6, 2012) Claims that she was raped as a child.
Revealed in a 2012 interview that she is bipolar.
Although she smoked in some films during her youth and posed for publicity photos with a cigarette in her hand, in real life she has always been a non-smoker.
In September 2013, she was honoured as being Turner Classic Movies Star of the Month.
She was awarded a Star on the Hollywood Walk of Fame at 6332 Hollywood Boulevard in Hollywood, California on February 8, 1960.
Was considered for the role of Jean Harlow in the motion picture Harlow (1965) but the role ultimately went to Carroll Baker.

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