FROM WHENCE WE CAME-The Indian Experience
Safira Abrahim William’s and Ken Sahadeo in rehearsals
Safira Abrahim William’s and Ken Sahadeo in rehearsals

See full release from GEM Theatre Production

In celebration our various ethnicities, GEMS Theatre Productions in collaboration with NRITYAGEET Dance Theatre will be staging the production ‘FROM WHENCE WE CAME- The Indian Experience’ based on the play ‘Kisna-From whence we came British India to British Guiana, written by Dr. Seeta Shah Roath and directed by Sonia Yarde on Saturday March 14th the National Cultural Centre from 8.00p.m and on Sunday 15th at 4.00 p.m. Tickets are $3,000 & $2000 and are available at the box office of the National Cultural Centre.

Marisa Morgan- Bonie , Mark Kazim and Stephen Asif Mohamed in rehearsals

There will be 5 school shows from 9.00 a.m. from Monday, 16th to Friday, 20th. All schools attending will be coordinated through the Ministry of Education.

This play represents the second in the series of such productions. The first being held on January 11-13th, depicting the Chinese Experience.

Shah Roath did the historical research for the play.

Synopsis of From Whence We Came – The Indian Experience

The stage play “From Whence We Came – The Indian Experience” is based on the Book written by Dr. Seeta Shah Roath entitled “Kisna: From Whence We Came – British India to British Guiana”

Kidnapped, lured by high-paying jobs, and seeking refuge from prosecutors, young Indian men and women were brought into the Demerara Depot in Garden Reach, Calcutta of 1856, from whence they shared the arduous journey across two oceans to reach a strange land, strange people, and challenges never envisaged.

SYNOPSIS

A historical drama, this full-length stage play captures the historical, geographical, and human elements of the Indian Indentured System from British India to British Guiana. Set in the 1800s, events, places, people’s attitudes, and behaviors are as described by governors’ reports, newspapers, court records, other archival records, oral history, and transcripts of interviews with survivors and descendants of the system. Accounts of circumstances surrounding deaths, beatings, conflicts, uprisings, and cultural retentions are real and not imagined. These accounts are woven within the story and become a part of the characters’ lives, challenges met, sorrows, and joys experienced.

The protagonists are recruited in multiple ways and experience the long agonising wait at the depot in Calcutta. This is the place where the long arm of the law sometimes reaches, where marriages of convenience are common, medical examinations are not always as thorough as regulations require, and an attempt is made to acclimatise recruits to the kinds of food most often used on sailing ships carrying Indian labourers. The protagonists’ lives show the composite experiences of the Indian indentured labourers.

Antagonists are the officers and agents of the East India Company, the exploitative planter class in British Guiana, the Creole police who were once slaves, and Indian drivers or field supervisors who, over years of acculturation, carried out the wishes of the planters and estate managers. Often, these drivers give way to greed and opportunistic endeavours that were not always in the best interest of their fellow Indians. Bullying and intimidation were not uncommon.

This play paints a vivid tapestry of the challenges met, sorrows endured, and fleeting joys through cultural and religious retentions, bringing to life the indomitable spirit of those who lived through this chapter of history. It’s a story of survival, resilience, and the unyielding human spirit.

At the same time, this play provides an educational journey through the whys, where, when, and how of the Indian Indentured System from British India to British Guiana and highlights important cultural retention patterns that led to becoming Indo-Guyanese and making important strides in building a strong multicultural Guyana.

The play culminates with the storyteller recounting to students’ prominent figures in Business – Banking, Manufacturing, Agriculture; Politics; Education, Public and Civic, and other areas. The Grand finale includes Nadira Shah, M.S. of Nrityageet fame and popular international Guyanese chutney singer with the song – ‘Desi from Guyana’ backed by Berbice Delight chutney dancers.

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