ART GALLERY REVIEW

The National Gallery of Art, Castellani House earned it this year with its unique “Exhibition of Sculpture” gallery-based event that commemorated Guyana’s 44th Republic anniversary. Though the event lasted throughout late February and March it was definitely not an occasion to turn down since significant sculptors have contributed immensely by publicising their invaluable pieces.

gallerUpon visiting this notable event, I was insanely intrigued by the 44 fine pieces that hovered around the white walls as they hung there, open for interpretations. The use of luxurious and durable wood, carved specifically to reflect on Guyana’s cultural diversity displays the intensity of the artists’ mind. Mahogany wood was prominent and I thought was the ideal wood to use for sculptures because of its highly praised characteristics of durability and exclusiveness. Desmond Ali and Winslow Craig, among other sculptors that displayed their pieces, paved the way for aspiring artists that broaden their imagination by highlighting culture as the dominating theme. Each corner I halt there was a sculpture that instantly made me wear a smile because of its unique way of telling its story. gallery2
Craig’s pieces were centered on Guyana’s fight for independence as well as ethnicity. Amidst the dark corner, surrounded by priceless, finest pieces, Winslow Craig’s “Discovery 1989” held insane significance since its stance was literal as it highlighted the indigenous people surfacing Guyana. With one glance at this fine piece of art one can initially dictate its meaning as an Amerindian man, dressed in his native clothing, holding an arrow and bow as he captures the Guyana Flag. I found this piece to be flawless given that each component was neatly carved-the depiction of the man was surreal since it embodied the ideal sensation of determination.
The arrow and bow were near-perfection as it signifies the tool and hard work that the Amerindians used in order to develop Guyana. As I stood close to this masterpiece, I could see how every curve was consistent and bordered perfection. The muscular, stretched decorated with native ornaments as the eyes squint to deliberation as he stood there fearlessly with his gallery1arrow pierced through the Hilly Sand and Clay region of Guyana. Craig is highly intrigued with the Amerindian culture; hence it was his adoration for such ethnicity that led him to carve such a master-piece. Although I received such a positive effect from this particular piece, I still think there were many more amazing pieces that did not shout at me initially. I would recommend you to pay a visit to the Castellani house to experience such finery!

(By Shivanie Sugrim)

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